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Teamed with the Black Widow, Daredevil's adventures continue in the latest and greatest Marvel Masterworks yet! DD must make his decision between Karen Page and Black Widow - and when he does, it means it's time to head west...where he and the Black Widow begin their exploits in San Francisco! There they'll face new challenges and classic villains - Electro, Killgrave the Purple Man, and Mr. Fear, just to name a few. And they'll do it while looking better than ever, courtesy of the unmatched art team of Gene Colan and Tom Palmer! There's no doubt these are true Marvel masterworks, so don't be shy - reserve your copy today! COLLECTING: Daredevil (1964) 85-96
- Sales Rank: #441363 in Books
- Published on: 2015-09-29
- Released on: 2015-09-29
- Original language: English
- Number of items: 1
- Dimensions: 10.25" h x .75" w x 7.50" l, .0 pounds
- Binding: Hardcover
- 272 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
Black Widow and Daredevil team up on the West Coast
By Dan Pace (feral atom)
Collects Daredevil 85-96 by Gerry Conway and Gene Colan. Only one extra, original art from #91 page 10, Gene Colan and Tom Palmer.
This collection might be just below five stars in my opinion. It's close. This is some of Gene Colan's best art in the Marvel Age this side of Tomb of Dracula, especially when he's inked by Tom Palmer. Gerry Conway's writing took a big step up this issue. I liked the change of location to the Bay Area, but Horn Head goes with Hell's Kitchen like Thor goes with Asgard. I would've liked better rationale for Daredevil and his foes for choosing the Bay Area. The more these issues focus on Black Widow, the better. Between this volume and the last one, she really came into her own during this period. Colan illustrated her very nicely.
Colan's rendition of the Bay Area is great, especially when he's rendering the fog with lights in it. Murky and spooky. I wish Conway had taken this hint to do more with the creepier bad guys, like the Man Bull and Mister Fear and do them a bit more monstrous. Don't get me wrong, Electro and Killgrave are fine villains, but the noir origins of the city combined with Widow and Colan's moody artwork could've made for some epic gritty tales.
Daredevil and Black Widow also face the Gladiator (on an airplane) as well as the Indestructible Man and the Blue Talon (very forgettable in his only appearance).
The last five issues collected here (92-96) rename the title to Daredevil and the Black Widow on the covers. Very apropos given how much "screentime" she gets.
2 of 3 people found the following review helpful.
Black Widow, Gene Colan and Tom Palmer. Nuff Said !!!
By Stephen Vincent Kempton
I suppose to be fair, I should have included Daredevil , Gerry Conway and San Francisco to the list of names in my review title of things that make this collection great. And make no mistake, this collection is great.
This volume collects twelve issues of Daredevil from 1972 and 1973 . Daredevil #85 through #96. Printed on the finest slick heavy paper stock with beautiful art and color restoration. It features a rather rambling introduction by Gerry Conway which spends a little too much time talking about the movie Inherent Vice. Extras are very slim this time with a mere single page of original art.
Gerry Conway debuted in the last Masterwork volume and his writing was not all that good. The Mr. Kline overall arc was an incoherent mess.
Conway who was a mere 18 years old when he started in comics is now age 19 and has quickly become a pretty good writer. This is rapid vast improvement.
Black Widow became the unbilled co-lead in the last volume and Conway puts the focus on her for most of this volume. Conway admits it in his introduction and you can feel his love of the character.
Conway really shakes up the strip bringing Daredevil, Black Widow and Widow's chauffeur Ivan all to San Francisco. This all makes sense, but one after another all Daredevil's villains seem to follow him to San Francisco, which kind of tests believability.
The pencils are all by the definitive DD artist Gene Colan with his photo realistic style. Tom Palmer inks the middle 10 issues . His style really adds depth to Colan's pencils. They make perfect partners. Golden Age great Syd Shores does the first issue and really is also a good match. Filipino artist Ernie Chua is poor fit when he inks the last issue in an adequate job.
Daredevil #85 takes place on an airplane returning to New York and The Gladiator attacks. In DD #86 the Ox returns for their last New York adventure.
Daredevil #87 brings the cast to San Francisco and introduces Conway's new long back story arc about Danny French and Project Four. It runs eight issues and is about a very early mission Natasha and a spy named Danny French go on in America. The mission goes terribly wrong. This is just hinted at in DD #87 which brings back Electro. We also meet new cast regular Commissioner "Ironguts" O'Hara.
In Daredevil #88 Kilgore, The Purple Man returns. Then in DD # 89 Kilgore and Electro team up to battle Daredevil and The Black Widow.
Daredevil #90 and #91 is also a two parter about Mr. Fear. Meanwhile Matt Murdoch gets an offer to join a new Law Firm in San Francisco.
In Daredevil #92 the Project Four back story comes to front and we meet the man behind it all Damon Dran. In DD #92 hires a oriental mercenary named The Blue Talon to do away with our heroes.
Then in Daredevil #93 and #94 Dran becomes The Indestructible Man. This closes up the Danny French saga.
We close out the volume with the return of the Villain Man-Bull for DD #95 and #96.
These stories have been a lot of fun to re-read and the Gene Colan art is beautiful.
My Highest Recommendation.
1 of 2 people found the following review helpful.
Daredevil gets off life support
By Jim Davis
This is the ninth Daredevil Masterwork volume and I'm pleased to report that it is a substantial improvement over its immediate predecessors. It is not great by any means but it does show every sign of a writer and artist working hard to climb out of a deep hole. The issues included are Daredevil 85-96 originally published with cover dates from March 1972 to February 1973. Not the best of times for Marvel Comics or the industry in general.
The tone is set in the first two issues. After teasing us that the tiresome Karen Page is yet again going to be the focus of the book in #85 she is shuffled off stage in #86. Daredevil disposes of two old foes, the Gladiator and the Ox along the way. Then a major shift for the book. Daredevil, the Black Widow, and Ivan relocate to San Francisco and the Black Widow becomes a permanent co-star even getting title billing on the cover before long (although I don't think the book's title officially changed). This was a standard tactic among comic book publishers in those dark days. If sales slipped and/or cancellation loomed put two struggling heroes in the same book and hope for the best. Sometimes it worked (Captain America and the Falcon, Power Man and Iron Fist, the present Daredevil and the Black Widow), sometimes not (The Atom and Hawkman, Super Villain Team-Up).
The move to San Francisco is important not only for the new locale but for the new cast of supporting characters scripter Conway is building up. Commissioner O'hara, Lieutenant Paul Carson, and Jason Sloan all show promise. In the last two issues Lucretia Jones is introduced first as a white woman in #95 and then as a black woman in #96. I wonder if there was a change of plans between issues or maybe artist Colan just didn't get the memo. Danny French showed signs of settling in to the supporting cast but that was not the ultimate plan apparently.
Unfortunately, the villains are mostly retreads like Electro, the Purple Man, Mr. Fear, Man-Bull, etc. Damon Dran, the heavy in the "Secret of Project Four" story arc, is the exception. His impact is diluted by Conway's need to make sure the reader knows exactly where Conway stands politically.
One does have to credit Conway with facing head on the problem of Daredevil's secret identity being compromised by both Daredevil and alter ego Matt Murdock being closely associated with the Black Widow.
All in all, very readable, especially when compared to previous volumes. There's another volume on the masterwork schedule and I find myself looking forward to it.
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